The Stockings Were Hung in the Exhibition with Care

December 22, 2010

Pair of Woman’s Stockings, Europe, 1700–1725, purchased with funds provided by Suzanne A. Saperstein and Michael and Ellen Michelson, with additional funding from the Costume Council, the Edgerton Foundation, Gail and Gerald Oppenheimer, Maureen H. Shapiro, Grace Tsao, and Lenore and Richard Wayne

It’s hard to believe that these flashy, red hose on display in Fashioning Fashion were modestly kept hidden under ladies’ skirts. We can see how they were worn from the racy work of the eighteenth-century English artist William Hogarth.

William Hogarth, plate three from A Rake’s Progress (detail), 1735, Art Institute of Chicago, gift of Horace Oakley, 1921.340

 

William Hogarth, The Rake’s Progress: 3. The Rake at the Rose-Tavern, 1734, courtesy Sir John Soane’s Museum, London

LACMA’s stockings, as beautiful as they are, showed signs of their 300-year-old age. They had holes and several long unsightly runs in the knit that were in need of treatment. To address the problem, I proposed re-looping the knit to close up the runs.

Detail of runs

With such a fine gauge knit (approximately 10 stitches per centimeter by 12 rows per centimeter), I used a magnifier, a 0.75 millimeter crochet hook, and size ‘0’ entomological pins for the “operation.” The various yarns were sorted and the knit pattern was re-established. Surprisingly, the cream-colored yarns were very deteriorated, so new threads were added to stabilize the knitted structure.

At work

Detail of the procedure

The back seams tell us that the stockings were first knitted flat on a frame and later seamed.

Before...

...and after

Fastening the delicate stockings to the wall of their display case involved a variety of fastening techniques. We looped silk ribbon around the knee areas to suggest garters. Our mountmaker constructed several unobtrusive supports to hold the weight of the stockings. Look closely at the toes, arch and ankles.

Safely hung, the stockings are ready for Santa—or at least for holiday visitors.

Detail of socks on display mount

Susan R. Schmalz, Associate Textile Conservator, LACMA


Fashioning Fashion in Vogue

September 20, 2010

One day over the summer, André Leon Talley stopped by for a visit. He and Michael Govan visited the lab where curators and conservators were hard at work preparing Fashioning Fashion: European Dress in Detail, 1700-1915, which opens on October 2 in the new Lynda and Stewart Resnick Exhibition Pavilion. On the spot, Talley decided to shoot a selection of costumes beneath the Tony Smith sculpture in the Ahmanson Building for the September issue of Vogue. Editor Lisa Love soon arrived on the scene. Here’s what she had to say about the collection.

Amy Heibel


Follow

Get every new post delivered to your Inbox.

Join 1,074 other followers

%d bloggers like this: