We recently interviewed scholar, poet, and collector John Solt in the Pavilion for Japanese Art, about the extraordinary exhibition Kitasono Katue: Surrealist Poet, currently on view. Soft-spoken and modest, Solt nevertheless attracted a small crowd of enthused visitors during our interview, as his passion for Kitasono’s work (Solt is the author of Shredding the Tapestry of Meaning: The Poetry and Poetics of Kitasono Katsue, among other books) was palpable to all who overheard him.
Solt, a long-time advisor to our Japanese Art department, was perceptibly pleased with the installation at LACMA, accomplished through the deft work of curator Hollis Goodall and our design department, who labored to achieve a modernist aesthetic consistent with Kitasono’s own leanings. (Even the takeaway exhibition brochure is designed as a kind of fold-out paper sculpture, reflective of Kitasono’s aesthetic.)
In our interview, Solt talked about Kitasono’s “day job” as the librarian for a dental college, the radical nature of his poetry, the political oppression by the “thought police” that he endured during World War II, and his far-reaching influence on other poets and artists. He also reflected on the pure pleasure of seeing great works of modern visual and linguistic poetry by Kitasono installed adjacent to masterpieces of Japanese art from previous centuries, in the contemplative atmosphere of the Pavilion.
Kitasono Katsue: Surrealist Poet is on view through December 1st.
Amy Heibel, video by Alexa Oona Schulz